Artists

 

Bertie HOME Buy cheap levaquin, Bertie Blackman's first encounter with her artistic self came as child sashaying across her mother and father's paint strewn studio floor. Levaquin 500 mg dosage, The daughter of iconic Australian Artist Charles Blackman, "I come from a family of painters, levetiracetam 1000 mg, Levaquin 5 mg, so everything I do is pretty visual. You can see and feel my music." In 2009 Bertie released her second album 'Secrets and Lies' and her music can be described as "pop music with depth", levaquin 750 mg dosage, Levaquin 500 mg cost, in 2009 Bertie was awarded 'Best Indpendent Release at the ARIA's and, was named the AIR Breakthrough Independent Artist of the year, levaquin 150 mg. Buy cheap levofloxacin, 1. What was the first band you saw live?
in '92 I saw INXS at Centennial Park Sydney as part of Live Aid

2, what is levaquin 500 mg prescribed for. What'd you learn from them?
I learnt that I wanted to stay sexy like Michael Hutchence

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Pacing. Lots of Pacing, buy levaquin without prescription. Levaquin 250, 4. What do you think is the most important issue affecting music in NSW is today?
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5, levofloxacin 500. Levaquin 5, If you weren't a musician what do you rekon you'd be doing?
I'd be an apple picker

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Bright Yellow 1. What was the first band you saw live? It was at a youth thing Like Frenzal Rhomb or something. 2. What'd you learn from them? That music can be played really, really loud and that in a band you can basically say whatever you want and get away with it. But the first live band you see as a kid isnt always the one thats going to set you up with any profound learning. When your that age its all about speed and volume and getting wild. 3. Got any pre-gig rituals? No, without being funny because what i should say is "yeah we all huddle and recite the alphabet backwards" but we don't. Were more focused on making sure we got the right venue and that Tobys been to the toilet before going on. 4. What do you think the most important issue effecting artists in NSW is today? Not sure, its pretty free at the moment. Maybe an issue is that theres so many artists that want to make it real bad but simply arent good enough at writing or playing music to ever get anywhere with it. I think a lot of musicians weve been around want the whole rock star thing first without putting in the work, so I guess theres a work ethic issue. 5. If you weren't a musician what do you reckon you'd be doing? Going to Uni and getting more of an education probably, but really I couldnt see myself as anything other than a musician right now so it doesnt really factor in. Im sure Toby would be making his films, you should see his stuff its wild. Find them on Myspace
Brian-Campeau-3_smaller 1. What was the first band you saw live? The first band I saw live was Tina Turner, but I don't really think that counts because I was way too young to appreciate it. Although i did like the song "we don't need another hero". And the Neville Brothers supported, so maybe that was the first band i ever saw live.... but really, i'd say the first band that i saw live that MATTERED was Sloan, a band from Halifax in Canada. 2. What'd you learn from them? I learnt from them that taking risks is a great thing and that neither an artist nor a band should be afraid to try something new. With regard to their music, sloan has never been very challenging (nice tunes, simple pop songs) but in performance, they would often switch instruments, and would all take turns singing lead vocals. It's not often that a band will do this, let alone do it well. This inspired me to fiddle with more instruments, and it also taught me to accept taking a backseat with performance if it means making a song sound better. Too often artists are in need of the spotlight, and find sharing it impossible which can be detrimental to the music. tsk tsk. 3. Got any pre gig rituals? A scotch (or 20 if I'm nervous)? I find humming helps a lot before playing. It calms me down, and its a really good warm up for the voice. Stretching is good too, but i don't do that nearly enough. I also find that being alone for the 20 mins before the gig helps, as i'm not always very social. But given the amount of gigs with no backstage area, this rarely happens. 4. What do you think the most important issue affecting artists in NSW is today? That's hard to say. I sometimes think money is an issue, as with most gigs, if you advertise properly, you spend much more money than you recieve, which can be tough if you don't have a second job. Even more so if you are travelling and paying for accomodation, food, petrol, etc... Secondly, and this goes for the industry in general, it's very difficult to know who is trustworthy. As opposed to, say, working for Coca-cola, anybody in the music industry can claim to be a manager, or a record label owner, or a booking agent, and there is no one to say otherwise. I've often seen 'managers' do absolutely nothing for the artists, and i've also seen booking agents worsen an artist's situation. I've also seen some music venues take their artists for granted by underpaying them, being rude to them, blah blah blah. It seems to me quite reasonable that if you want to succeed in an industry, respect and hardwork are crucial factors. Some disagree, i guess. 5. if you weren't a musician what do you reckon you'd be doing? If i wasn't a musician i'd very likely be doing a job that made me money! what a difference that would make! Or I'd be doing a PHD in philosophy and make no money whatsoever.... decisions decisions! Find him on Myspace